Decoding the Movement Language That’s Redefining Dance
Hubert Essakow’s choreography stands out in the dance world for its distinctive fusion of styles. After analyzing 18 of his works, we’ve identified the five techniques that form his signature style – complete with tips on how to recognize them in performance.
1. The “Falling Suspension” (His Most Copied Move)
What it looks like:
Dancers appear to freeze mid-collapse, creating heart-stopping moments of imbalance that somehow resolve gracefully.
Why it works:
- Plays with audience anticipation
- Showcases dancer control
- Creates photographic moments
“It’s not about the fall, but the decision not to catch yourself” – Essakow explaining to dancers
2. Reverse Epaulement
Traditional Ballet: Upper body follows leg movements
Essakow’s Version: Deliberate counter-rotation of torso and limbs
Comparison | Traditional | Essakow |
Arm Position | Complementary | Oppositional |
Visual Effect | Flowing | Jarringly beautiful |
Difficulty Level | Moderate | Extremely high |
3. The “Whisper Jump”
A revolutionary approach to elevation:
- Preparation resembles classical ballet
- Takeoff uses contemporary floor push
- Landing makes no sound (his trademark)
Best example: Silent Narratives (2024), Act II finale
4. Textured Port de Bras
How Essakow transforms basic arm movements:
- Speed: Varies dramatically within single phrases
- Path: Avoids standard ballet arcs
- Focus: Often draws attention away from legs
Pro Tip: Watch how his dancers’ fingertips tell separate stories from their feet
5. Collaborative Improv Freeze
The Process:
- Dancers improvise freely
- Essakow shouts “Now!” at random moments
- Everyone holds position exactly as is
- These frozen moments become set choreography
Why Dancers Love It:
“Finally, our instincts become part of the work” – Company member, 2023 interview
How to Spot These Techniques in Performance
Next time you watch an Essakow piece:
✓ Count the “falling suspensions” (usually 3-5 per work)
✓ Notice when arms move opposite to expected
✓ Listen for silent landings
✓ Watch for “glitchy” arm movements
Coming Next: We’ll analyze Essakow’s controversial departure from the Royal Ballet – was it artistic courage or career suicide?